Sunday, September 30, 2012

THE DESCENT OF A BEING

THE DESCENT OF A BEING

A being has a hard time staying in any particular space time game
stream. This is because he retains awareness of his intention to enter
and partake, his own invitation to himself.

One distraction, he takes his attention off his creation, and the
dream is gone.

The only way to stay in a while for long is to forget that one
chose to enter, and become quite sure that one had nothing to with
entering. This creates a violation of sovereign desire, a hysteria to
get out and to never come in again.

This suffices to keep one in, which was what was intended, to stay
in.

The vector to come in assumes one is out.

The vector to get out assumes one is in.

One can not become cause by being an effect, and one can not get
out by postulating that one is in.

So should one be apathetic about being stuck in?

No of course not, he WANTS to be stuck in. He doesn't need to get
out, he needs to recover his desire to be in.

Then of course he will get out :)

This isn't meant to twist your brain, trying to stay in is what
twists your brain.

Being out is easy, being in is almost heart breakingly impossible.

Look what you had to do to yourself just to stay in.

Thus if you are having a hard time getting out, you are up against
how almost impossible it was to stay in.

The problem lies with intent. The guy WANTS in, so one doesn't
audit him on his screaming to get out, because if you do he may get out,
to his dismay, and then he will just want in again.

He won't in fact let this happen, to keep him in session you have
to audit him on being better able to stay in WITHOUT getting out.

The truth is the more he dives in, the more out he will be, he will
be diving further in FROM a further out starting point, and will be
operating both being out and being in at the same time with a very wide
span between them.

That is very different than being collapsed in wanting to get out.

Instead he will be staying in on a create, create, create being in,
rather than on a stuck in persisting like a rock wanting out.

Once he is in, and wants out, he is facing the wrong way (out) to
get out, and thus he becomes more stuck in while facing out.

Wanting out says you aren't out!

Bye bye freedom.

Wanting in says you are out.

Wanting in PUTS you out.

Desire and its concomitant postulates are CAUSE.

Just consider the Chinese finger trap.

Freedom results from wanting and moving in.

Crucifixion results from wanting out.

It is the flinch of wanting out that turns pleasure to pain, beauty
to ugly, and light into stone.

Why else would anyone WANT to get out?

There was a beauty to coming in.

The being WANTS to get stuck in, he wants it on automatic, he WANTS
the game and mystery of where am I, how did I get here, and how the hell
do I make sure I never return.

The only way he can stay in without waking up every time he
sneezes, is to want to get out and NEVER come back. It's the forever
that makes it work and the mystery of why he is in that kills his
responsibility, his invite, and thus turns him around so he is looking
to get out, which sticks him in.

Looking out puts you in.

Looking in puts you out.

A thetan can only stick to the bottom of the tone scale, so when he
first comes in, he dives for the bottom real hard in the hopes he will
stick and stay awhile. Top level beauties about doing this, cement the
stick.

So the minute he comes in, he has to turn it around and claim he
wants out. Then he can stay in trying to get out for the rest of time,
sinking further in all the while.

This works like a dream, no pun intended.

And that's a good thing.

The minute he tries to stay in, he will get out.

But he will have lost his game. Remember havingness is in games.

He won't be happy, as he will have lost his dream and co action
with all his friends still in the dream.

Oh man is that sad.

It's like leaving EVERYONE behind FOREVER.

Eternal peace just can't make up for it. Yet.

So let's summarize.

A being wanting to get out will be stuck in.

A being wanting to get in, will keep falling out, unless he can
quickly turn it around into wanting to get out once he is in.

This is the original 'wall of fire' at the entrance to universes.

He came in and the 'wall of fire' was his wish to get out forever
more and NEVER come back.

Trying to get out he sank below the wall of fire and is now a "What
Wall?" case.

The wall of fire remains a NO EVENT until he honestly tries to come
in again and be here. Then watch out.

He thinks he wants to get out but this desire gets its power from
the original desire to come in and stay for a long time.

All auditing is never in the direction of getting out, but in the
direction of recovering his desire to come in, TO BE HERE. Then he is
free again to stick himself in or out as he desires in present time.

Recovery of the ability to get out depends on recovery of the
sovereign intention to come in.

Coming in puts one out, as one has to be out in order to come in.
Whether one stays out depends on whether one changes one's mind about
coming in after getting out.

One can stay out and go do something else, but in general most
don't. Many have gotten out many times just to come in again locking
the door even harder every time.

It's just too sad to leave one's friends behind.

People think that getting out is worth something, maybe everything.
Truth is staying in and enjoying it here is worth more.

Much more.

"Tragedy and travesty, romance and sin, miracles and majesty,
that's where I've been.

Miracles in majesty, romance and song, tragedy and travesty, that's
where I've gone."

It's just so sad to escape back to total peace and safety while all
one's glorious friends are still in the dream called Hell and High
Water.

"Safety is hell and high water via eternal omni awesome peace."

If wanting to come in put you out, just how dangerous can coming in
be?

The being can't get lost, can't go anywhere, can't be destroyed,
what greater safety can there be then, regardless of what nightmare he
is engaged in at the time?

These dreams however are only for a while, very long whiles, but
never forever in time.

Hell forever is a violation of sovereign desire, a violation of
eternal friendship.

God is friendship.

All wars are with your friends, your brothers and sisters.

Disownership FOREVER of a family member, no matter how badly they
have behaved, is the only crime.

The goodness and badness of God, of the High US, exceeds even our
own imagination and acceptance and surprise levels. Thus we get upset
with our fellow man, and try to separate from him forever.

This is our only hell.

Trying to make nothing of too much good or too much bad forever.

The being is friends with his nightmare, this is the goal of
auditing, to restore that friendship, but not so much that he wakes up.

If he's gone from the world he can't pay you.

So the fall of the being from the top to the bottom is well
designed, and well arted.

Adore calls it artful dodge.

"The Source of all suffering is the fair chosen adore operation of
Cool, Class, Halcyon, SinSong, Thrill and Romance, via Living Majestic
Intelligence and Proud Fancy Free Faithlessness of Grand and Excalibur
Design."

Fair chosen means you desired and chose it with full awareness of
the possible consequences, in general if not in specific.

Desire is sovereign. Sovereign means you want it, you got it.

Adoration is operation, if you adore something, operate it.

High Cool is Eternal Omni Awesome Peace.

Majesty is eternal good humor born of master of songs of sin and
hidden joy.

Majesty is the sovereign desire that desire not be sovereign for a
while, the impulse of the Imp soul towards humor, master of jest.

J.O.Y means J.O.K.E's on you.

J.O.K.E. means Justice Of Kindship Excaliper.

J.E.S.T means Jokes of Eternal Self Treason.
J.E.S.T means Justice of Eternal Self Truth.

Class is an attitude that all should live forever and be my friend
(outside of time.)

SinSong is to sing another Source done wrong song, sinsong is not
sin as long as it is just song. This is the story (song) written by the
Author, to whom it is always just song until he incarnates as character
who takes it seriously to heart (sin).

Thrill is the effort to get lost.

Romance is the effort to get home.

Miracle is the undreamed dream come true. The soul just didn't see
this one coming, and can't have it because it's too good to be true.

Halcyon is bemused relief on the verge of time.

Pride is agent, pride is vision of potential because pride is
source of potential. They never told you that one. Pride is the raw
quality of the fabric of existence.

Fancy free faithlessness is faithlessness allowed to run wild
without restraint of the fancy (imagination).

Doubt of sovereignty is self casting.

Caliber is the worth of souls.

Calipers measure caliber.

The caliper of the caliber of souls is the questions they have
asked and the answers they have rejected.

Excaliber means without worth.

Excaliper means without measure, worth beyond measure.

Justice of caliber is kindship Excaliper.

In a world where someone must hurt, all need is for justice of
excaliper kindship.

Humor is the only kind justice you will ever need, for ever for
real. This thing ain't called a religion for nothing.

Excalibur is the two edge sword of excaliber and excaliper, and all
other operating dicoms in existence.

The sword is stuck in the star rock of your mind by your own
present time operational wizardry.

A wizard is anyone who is a wiz with the sword.

A King is anyone who can free and wield the sword of Excalibur for
themselves and for others.

King Arthur was able to pull the sword from the rock because he was
willing to put it back in again so that others might try. The others
were not so willing and so couldn't pull the sword out at all."

Willingness to come in, to BE HERE, puts you out.

From Adore.

Now let's take a look at this from another easier perspective.

At the top you have the fact that admiring communication will
vanish all created conditions of existence. This is because enough
admiration puts one beyond a need to DO anything to change the
condition, it is beautiful as it is. Thus it gets as-ised and vanishes.

It's the need to DO something about something which is considered
unadmirable (criticizable) that creates a persistence. You can't get
rid of something by saying it's there, but I didn't and am not PUTTING
IT THERE, and I don't like it so I am going to change it!

On the other hand if you say 'I like it and wish it would stay", it
won't. Don't worry, be happy, you can always make it again and again
and again. Forever vanishing, forever being recreated. You can always
HAVE something, but automatic PERSISTENCE of things indicates a pretense
that you don't want them.

You can't get rid of anything that you aren't putting there, at
least for a (short) while.

Timeless admiration without intent to change will vanish anything.

Timeless admiration means you don't want it to vanish, and thus it
will. This is the love-sadness of all creation. You CAN always make it
again and keep it around that way.

(Watch out for the day you told yourself "I'll never be able to
make another one of that one!")

In other words you can't get rid of anything until you have found it
worthwhile, worthy of the while you originally put it in.

This is not a matter of adding significances of justifications as
to why something unwanted is 'really good', which in fact just make it
worse, but more a matter of releasing significances that make it bad or
unjustified.

Significance alloys pure adoration with abhoration and pain.

Adoration is simply the top of admiration.

Thus added significances cause persistence.

"As one can accept and be content with things as they are, they
will not exist, that is absolute". -LRH PXL

Resignation is acceptance with expectation of persistence.

Humor is acceptance with expectation of vanishment.

Adoration of operation is a bit of a joke, because if you adore it
enough, it won't be there to operate.

The basic operation is TO PUT IT THERE, and you put things there
with adoration. So that is adoration of operation.

But don't get distracted because the instant you aren't putting it
there any more, it will vanish.

You have to dislike something just a little bit in order to get it
to automatically stay around long enough to want to protect it to the
end of time.

Eventually of course your dislike for its persistence will build
and you will end up wanting to destroy it forever.

You may want to 'be with your cat' forever, but does it want to be
with you forever? It's sensible, hell no.

Beyond creating something, continuing to operate it after it is
created is usually an effort to get rid of it, and failing that protect
it from everything else trying to eat it, and thus you get a
persistence.

It's a love hate relationship. You love it because it is beautiful
and needs you, you hate it because it is fragile and precious beyond
repair.

So we come down from this rather high place to the first problem.

The problem persisted due to a fair chosen refusal to communicate
with it's various parts with sufficient admiration to cause it come
apart and vanish.

This was not a mistake, this was a PLAN.

This was the design of persistence.

The problem resulted in overts or harmful acts to 'solve' the
problem.

Harm was used to deal with impending harm.

The overts were regretted, justified AND restrained creating a state
of overwhelm. This is why we say ORs don't run, only ANDs run.

Justification make the overt right, AND restraint makes it wrong.

Best of both worlds, he gets to be not guilty for having done it in
the first place (justification), and he gets to make sure he never does
THAT again (restraint) because he put an overwhelm in place so he can't.

OT III, freedom from overwhelm, means freedom from regret,
restraint and justification. Such a being is of little help and too
dangerous to those still stuck in tar.

Justifications lead to time reversal called deds and dedexes.

"You deserved what I did to you yesterday because of what you did
to me just now."

Justifications also create black holes, as NOTHING that can be done
to you today can ever justify what you did yesterday, yet the being
keeps trying to find, suck in and pull in bad things done to them until
the being is a ball bearing rolling around the drain the hell.

Bad things happen to everyone, but only stick to the guilty, they
don't heal.

No one is dishing out karma, but what goes around comes around, and
if you have a need for it, once it finds you, it will stick to you
forever more.

One audits the need to be harmed, to release the overwhelms.

Notice the need to be harmed is late on the chain of harm that you
caused others with good intent in order to avoid harm, and earlier than
that just to cause harm period, not evil intent, but divine intent,
as the author creating a rip roaring story.

Evil creates harm too, but no good story comes from it, except
as evil itself is part of a bigger story created by the Author.

So the author is creating good stories about characters who create
good stories and bad stories.

We may all be bozos on this bus, but there are no innocent chronic
victims.

The overwhelm acts to both justify and restrain, also to drive into
oblivion, thus creating co excused withholds.

"I won't complain about what you are doing to me now, if you won't
complain about what I did to others earlier."

That's why past lives are gone, occluded by co excused withholds
between parent and child or thetan and body or something in a past time
and something in this time.

If you can't remember what your mother did to you as a son in this
life, try auditing what you did AS a mother to your son in a past life.

If you can't remember what you did as a son to your mother in this
life, audit what your son did to you as a mother in a past life.

Oblivion is the make break point on the case.

Above oblivion the case is naturally floating upwards if allowed to
do so.

Below oblivion the case is floating downwards if not prevented from
doing so.

Such withholds of regret, justification and restraint are then
missed, causing a being to develop ARC breaks, upsets, withdrawal of and
from affinity, reality and further degradation in communication with
others and himself.

All ARC breaks stem from missed withholds.

This leads to desires to gain and give sympathy, make self and
others right and wrong, and make guilty through computations that are
neither sensible nor useful.

One will find the Golden Ally and Golden Foe in this area.

However one needs to run being the hero, villain and victim around
and around to get at it.

Failure to handle the above leads to corruption, temptation and
seduction and disintegration of ability to handle power, which results
in no power.

"List ye now the reasons why you should not have power."

This leads to dramatizations of seriousness, importance, permanence
and pain, namely FOREVERS.

And this leads to changing sides on one's own goal streams.

Eventually one is totally opposing one's own basic purposes in
life.

And that leads to becoming a tar ball swirling around the drain to
hell in the hypocrisy whirlpool.

"If the Jews keep it up, they are gonna become Christians.

"If the Christians keep it up, they are gonna become Nazis.

If the Nazis keep it up, they are gonna become Sweet Old Ladies.

And if the Sweet Old Ladies keep it up, they are gonna become Jews
again.

"Eventually all become marbles on the thetan plane." - Adore

Yes Goober, it really is that bad, but all it takes is
WANTING TO BE HERE WITH ORIGINAL INTENT, to start getting out.

Homer

------------------------------------------------------------------------
Homer Wilson Smith The Paths of Lovers Art Matrix - Lightlink
(607) 277-0959 KC2ITF Cross Internet Access, Ithaca NY
homer@lightlink.com In the Line of Duty http://www.lightlink.com

Wed Nov 28 23:53:11 EST 2007

------------------------------------------------------------------------
Homer Wilson Smith Clean Air, Clear Water, Art Matrix - Lightlink
(607) 277-0959 A Green Earth, and Peace, Internet, Ithaca NY
homer@lightlink.com Is that too much to ask? http://www.lightlink.com

IN SEARCH OF A HIGH COMMAND

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((My comments in double parentheses - Homer))

IN SEARCH OF A HIGH COMMAND

CLR - 3
24 March 1991

Copyright (C) 1994 Homer Wilson Smith
Redistribution rights granted for non commercial purposes.

((In March of 1991 I was dying. I was in the middle of spending 6
months in bed auditing out the most ferocious stuff from my bank that I
have ever seen. I tend to forget this period, because if I dwell on it
I tend to think that no one will ever make it, even though apparently I
have. The High's and the Low's were horrendous, it was like a roller
coaster ride at sea during a hurricane. I was eating one yogurt every 2
days, and after a cognition or a particularly strong bout of electronic
release, I would get a short window of opportunity, to get up, move
around and do things.

I would eat a ham sandwich, go driving to the supermarket for food,
and vitamins, and crash back into bed for another week of terror.

Me and Jane both call this time the Easter of Hell.

It was during one of these short windows of opportunity that I came
crawling down stairs and scribbled this little note off to ADORE-L.
- From where I am standing now, it seems kind of silly, but only because
of the quality of beings that are not around me.))


Situation Wanted:

I am looking for someone to take my orders from, to give my life
direction, meaning and purpose and to establish for me a line of duty.

Must pay a decent living for a family of six.

Must be worthy of respect, devotion and obedience.

No lunatics need apply.

Homer

================ http://www.clearing.org ====================
Sat Sep 29 03:06:02 EDT 2012
ftp://ftp.lightlink.com/pub/archive/homer/clr3.memo
Send mail to archive@lightlink.com saying help
================== http://www.lightlink.com/theproof ===================
Learning implies Learning with Certainty or Learning without Certainty.
Learning across a Distance implies Learning by Being an Effect.
Learning by Being an Effect implies Learning without Certainty.
Therefore, Learning with Certainty implies Learning, but
not by Being an Effect, and not across a Distance.

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Thursday, September 27, 2012

IN AND OUT

IN AND OUT

Alex (Asingh@null.edu) wrote:
>In article <200602110424.XAA24718@adore.lightlink.com>,
>Nice.

>Imagine meatballs contemplating wasting bodies as theraputic.

Wasting .... has always intrigued me as a process, taken from
expanded gita.

Item's like power and sovereignty are not in there by the way
which is REAL odd.

The prehavingness scale leads us down from having, to wasting
having, to substitute, to wasting substitute etc.

The cold and careless physical universe wastes bodies all the
time.

"Life treats love like the ocean treats castles in the sand." -
Adore

People who feel no responsibility for their condition in the
physical universe, eventually go out of valence into its valence, and
then they too waste others with careless cruelty that is hard to
imagine of a living heart.

They are acting like a rock.

The last effort of a being trying to give is to take.

That's your criminal.

The computation is 'the way to give is to take'.

Thus the being can fall below care of the body into wasting
bodies.

But running wasting bodies will only bite if its in the direction
of getting the being able to make bodies again forever for free,
otherwise it just drives the being deeper into license and
criminality.

Wasting bodies while BEING a body eventually leads to
wasting one's self in a body.

Wasting bodies while OUT of a body, leads to more stability being
out.

However just because an OT can waste bodies, doesn't mean
he has to. He does however have to be able to maintain his
stability.

The question is can he waste a body and take full responsibility
for it. The moment he regrets it, he has to make up for it, and then
he's stuck to bodies as a subject and eventually as an object, until
he has done his amends.

You see regret is "I wish I hadn't done that, I wish I had known
better, I wish, I wish, I wish, I wish." Well desire is sovereign, but
wishing ain't.

For an OT to create in the conception of something, and then
regret it is quite a skill. It's not a flaw, its how things work,
without it you could never have a descent into manifestation.

Decent takes protest, SERIOUS protest, to keep it around
for long.

The basic mechanism to keep time around is to regret the past and
use the future to make up for the past. That ties the future
irrevokably to the past by your consideration that you are failing
miserably in present time.

The OT creates games that can not be won or lost, and thus wastes
every later effort of his own to win them. But this is not the same
as the same being who later is very low tone, a lower tone harmonic of
OT, who having realized he can not win, now tries to lose and cause
others to lose.

That's headed further down, not up.

The OT's intent by the way it to make the game last forever, to
PLAY forever, as either winning or lose creates a loss of game. So in
that sense OT's try to engineer games that can never be won or lost.

It is instructive to spot the similarities and differences
between OT and Criminality, between native state at the top of the
tone scale and ENFORCED native state at the bottom.

Both are states of non manifestation, but one is knowingly fair
chosen, the other isn't. That's about the only real difference
between top and bottom.

In the end its all fair chosen, so at all times the being has
exactly what he wanted. Realizing this then tends to as-is the
present time encumbrances, or at least slam it again into his face so
he is aware of it, and as they vanish the thetan bubbles back up the
tone scale, even if slowly.

It can be hard, the being that he is now near the bottom is very
different than the being he was at the top. He has a very hard time
WANTING to be free again. It's better to die.

The motivation to come in, is not the motivation to get out.

"Who or what would want to get out?"
"Who or what would want to come in?"
E/P, able to come in and get out at will.

It is the motivation to get out that traps him in, because he
isn't trying to get out to where he is motivated to come in again, he
wants out FOR GOOD.

So the out that he seeks isn't where he started off from and thus
is really just a further in.

Thus he wonders why trying to get out so hard just puts him
deeper in. He is actually driving in at full speed trying to get out.

That place he seeks of 'never coming in again' is at the
bottom of the ocean 12000 miles down stuck in mud.

On the other hand really trying to come in puts one out because
one has to be out in order to come in.

"The creature can become the creator at will by BEING the creator
becoming the creature." - Adore.

So duplicating the OT motivation to come in, starts to put one
out, if one dares.

Most inability is superior unwillingness.

And this is as it should be, by design.

Homer


>Alex


>> -----BEGIN PGP SIGNED MESSAGE-----
>>
>>
>> SUB DEATH
>>
>> The tone scale is a scale of wave frequencies that range from high at
>> the top to low at the bottom.
>>
>> Waves are mathematical entities that change in time, usually from
>> positive to negative, up to down, or left to right, or something
>> similar.
>>
>> Frequency is how often the wave does a complete cycle in a
>> second.
>>
>> Sound waves range from about 100 cycles/sec to 20,000 cycles/sec.
>>
>> 1 Hertz or Hz is 1 cycle/second, a KiloHz is 1000 cycles/sec, a
>> MegaHz is a million per second, GigaHz is a billion etc.
>>
>> Radio waves go from about 500 KHz upto the GigaHz range, and
>> Light and X-rays are above that.
>>
>> LRH kind of felt that emotions belonged in there somewhere, but
>> effort, emotion, thought and aesthetics may not be the same kind of
>> wave as electromagnetic radiation, but none the less, being a wave, it
>> would have the qualities of waves.
>>
>> Waves have 3 basic qualities, frequency, amplitude and
>> interference.
>>
>> Frequency is how often the wave cycles in Hertz.
>>
>> Amplitude is how loud the wave is, or how big, or how far it
>> swings as it swings back and forth.
>>
>> Interference is the result of two or more waves interacting with
>> each other producing harmonies and disharmonies.
>>
>> First thing to notice is that a pure wave, usually a sin wave, is
>> always a harmony, as the only way you can have a disharmony is to have
>> two or more waves of different frequencies interacting.
>>
>> Even then some mixtures produce richer harmonies, such as when
>> you mix a wave with one of its harmonics at 3/2 or 4/3 the frequency.
>>
>> For example G and C on the piano are 3/2 and they form a perfect
>> fifth, so called because G is the 5th note in the C major scale.
>>
>> But play C and some note that is 17/18's of C and you are going
>> to get a couple of cat's squalling.
>>
>> Another thing about disharmonies is that some disharmonies can be
>> 'resolved' into harmonies. The harmony that results is better off for
>> having been preceded by a disharmony. This gives disharmonies a
>> 'raison d'etre', a reason to be.
>>
>> Finding a resolve for any particular disharmony is not easy, this
>> is what good art is about.
>>
>> Find an exquisite disharmony, and then find an exquisite harmony
>> to resolve it.
>>
>> Desire is for harmony, or for disharmonies that resolve into
>> harmonies.
>>
>> Harmony is beauty, and disharmony is ugly.
>>
>> Now generally people have 'high tone' confused with harmonious,
>> beautiful or pleasurable, and 'low tone' confused with disharmonious,
>> ugly or painful.
>>
>> There is a reason for this even though it is completely wrong.
>>
>> High tone means high frequency and low tone means low frequency.
>>
>> Harmony, beauty and pleasure come either from single waves of
>> *ANY* frequency, or from discords and resolves of *ANY* frequency.
>>
>> Thus one can take two very high tone beautiful waves and mix them
>> and get a very high tone ugly (undesirable) cacophony.
>>
>> You see then that desire is for harmony and not for highness of
>> tone.
>>
>> Now admittedly a high frequency single wave is more beautiful
>> than a low frequency single wave.
>>
>> Get some regular sugar and some 10x sugar used for baking, and
>> put some of each on your tongue.
>>
>> Both are sugar and both are sweet, but the 10x is a real trip,
>> the regular stuff is, well kind of normal.
>>
>> So there is a natural tendency to want to go up the tone scale to
>> get to higher beauties, but if one is stuck in a high tone cacophony
>> of mixed waves of high frequency, then one can find solace in a
>> harmony lower down.
>>
>> This is the essence of the tone scale trap.
>>
>> Now Hubbard assigned various things to the various levels of the
>> tone scale, aesthetics and thought were way up, and then came action,
>> and pain, effort, and apathy and death and sub death etc.
>>
>> Most of us consider that pain is undesirable, and would have a
>> hard time conceiving of beautiful or harmonious pain. But if pain is
>> a frequency of the tone scale, then as a PURE single frequency it
>> would have to be a harmony!
>>
>> Mockup a harmonious pain.
>>
>> Mockup a disharmonious pleasure.
>>
>> So how come then pain is almost always a disharmony?
>>
>> Because most body injuries consist of a complex mixture of many
>> slightly different incidents in restimulation resulting in a severe
>> disharmony of experience.
>>
>> The worst disharmonies are mixtures of waves that are just
>> slightly off from each other in frequency.
>>
>> A body injury is sort of like hitting the keyboard with your
>> fists, of course you are going to get a loud disharmony.
>>
>> One way to audit this is to take the injury and assess for HOW
>> MANY DIFFERENT FREQUENCIES MAKE UP THE PAIN.
>>
>> Try it, the meter will read deeply when you get it right.
>>
>> It may come out to a few or very many.
>>
>> Say it comes out to 5.
>>
>> Then one by one, or in groups, locate the single waves, or
>> harmonious collections of waves and run them out as beautiful pain.
>>
>> Say two of the 5 were harmonics of each other, they would run out
>> together as a harmony of two different frequencies, leaving 3 left
>> still causing a disharmony.
>>
>> Then two of them may run out again as a harmony of two waves,
>> leaving 1 left. Well that 1 HAS to be a harmony by definition, so run
>> it out the same way, and voila you have run out what looked like one
>> god awful disharmonious incident but which was in truth 3 separate
>> harmonies making a disharmony.
>>
>> In this way one runs out ugly undesirable pains, by separating
>> them into beautiful desirable components and running them instead.
>>
>> If the pain isn't beautiful, it isn't ONE PAIN.
>>
>> Trying to run it as one ugly pain won't work, as there is no such
>> thing.
>>
>> OK so at the top of the tone scale the being creates in the mere
>> conception of things.
>>
>> So one day he gets the idea of this great big beautiful space
>> forever for free with all these trees and flowers and green grass, and
>> scattered through out are these absolutely gorgeous little spiders,
>> each one preening itself, and gleaming in the sun.
>>
>> And he's just BEING there, and the space/time is just being
>> there, and the little spiders are all just being there having a good
>> time.
>>
>> You see that scene is a complex set of waves that all form a
>> gorgeous harmony for the being.
>>
>> *THEN* he gets the idea that the spiders are dangerous and
>> poisonous and are out to get him. All of sudden, as one, the spiders
>> start to align in his direction and begin their approach.
>>
>> He becomes absolutely certain that they are going crawl all over
>> him, and bite him and eat him, and that he can't get away fast enough.
>>
>> At that moment his space and time crystalize into hard persisting
>> rock and he can't make the scene disappear any more.
>>
>> He can't wake up as he has fallen BELOW the original frequencies
>> that made up the original scene by adding in lower tone wave lengths.
>>
>> Now he has a problem, and that problem consists of an even more
>> complex set of waves than the original scene that turn the original
>> gorgeous harmony into a deadly nightmare, a disharmony of magnitude.
>>
>> All he did was add some more waves into the original scene with
>> his postulates, waves that weren't quite in sync with his original
>> scene, and wham, he has a cacophony of terror and pain and
>> undesirability like has never been written in the books of man.
>>
>> So he is still BEING there, counting the seconds to his assured
>> doom, and someone comes up behind him and taps him on the shoulder and
>> says 'Hey you see that small building over there, there is an arsenal
>> of anti spider bazookas in it, they are all locked up, but if we run
>> and break down the doors we will have enough weapons to kill all these
>> spiders no problem!"
>>
>> All of a sudden his heart soars with *HOPE* again, for now he has
>> a possible solution to those spiders.
>>
>> He has a game.
>>
>> Lord save him.
>>
>> So he has added in a whole mess more wavelengths into his scene
>> that have turned it from a nightmare disharmony of waiting to die, into
>> an exciting rip roaring fun time of killing and being killed.
>>
>> Oh, he will recruit all his friends in to the war, they will
>> protect their women and children at all costs, they will devise better
>> weapons, and execute plans of daring do and kamikazee. The glory will
>> go down in history never to be matched again.
>>
>> So what happened? Did he go up tone from the nightmare back into
>> being happy again at a higher tone?
>>
>> No, he went downtone, he fell from a higher disharmony of being,
>> into a lower harmony of doing.
>>
>> If he had gone up tone from the nightmare band he would have been
>> back where he could just change his mind about the scene and it would
>> have disappeared. BEING WOULD HAVE BEEN SUFFICIENT FOR THE SOLUTION.
>>
>> Instead he fell down tone from the nightmare into a lower harmony
>> where DOING pretends to be sufficient for the solution.
>>
>> Now DOING will NEVER be sufficient to any problem, any solution
>> created by doing will merely become another problem later on.
>>
>> This is by sub intent by the way, the high tone original being
>> knows full well what he is doing even if he isn't consciously thinking
>> about it.
>>
>> Thus by diving down tone from disharmonious being into harmonious
>> doing, he is guaranteeing to set himself up for a further disharmony
>> at the lower tone level when his solution finally becomes another
>> problem.
>>
>> He will then solve this new problem by falling down to an even
>> lower tone harmony with some new solution which then becomes another
>> problem later on and so forth.
>>
>> So where is the guy headed at this point? Certainly not glory.
>>
>> He is headed down into further problem disharmonies, solved by
>> LOWER TONE harmonies that then becomes LOWER TONE disharmonies, to be
>> solved by even LOWER TONE harmonies, until he goes out the bottom.
>>
>> Assess for how many problem/solution cycles the guy is buried in
>> and you can spring him out of his present life which is just a
>> solution to the problem of body death.
>>
>> Notice we are not trying to exteriorize him from his *BODY*, we
>> are trying to exteriorize him from his *LIFE*. Oh hell, he can go back
>> into it any time he wants.
>>
>> So a being crates a scene from a state of BEING.
>>
>> This is a harmony.
>>
>> Then he creates a problem in the scene from a state of BEINGNESS.
>>
>> This is a lower disharmony.
>>
>> Then he creates a solution in the scene from a state of
>> DOINGNESS.
>>
>> This is an even lower harmony.
>>
>> And thus he has a game guaranteed never to end powered by the
>> dwindling spiral of problems and solutions which become problems etc.
>>
>> Solutions based on BEINGNESS and DOING are headed down the
>> spiral.
>>
>> Solutions based on BEING and finally not BEING (Native State) are
>> headed up the spiral.
>>
>> So what is SUB DEATH?
>>
>> Hubbard marked death of the body at 0.0 on the tone scale.
>>
>> Now clearly the thetan survives the body death, there is the
>> thetan outside the body moping over a perfectly good lost body.
>>
>> 0.0 maybe zero heartbeats a second for the body, but it certainly
>> is not zero cycles per second for the frequency of the thetan, far
>> from it.
>>
>> Since the thetan is still there and clearly functioning the
>> thetan must be SOMEWHERE on the tone scale above absolute zero at
>> - -400.0 on the tone scale or spiritual death.
>>
>> The thetan has a LONG ways to go between 0.0 body death and
>> - -400.0 spiritual death.
>>
>> Now the death of the body is a PROBLEM to the thetan. Eventually
>> it became a SERIOUS problem to the thetan. More serious that even
>> mere mortals can conceive.
>>
>> Early bodies were perfect and unique but fragile. They COULD
>> live forever, but once injured they would remain crippled FOREVER or
>> even die FOREVER.
>>
>> We call this part of the track FRAGILE IMMORTALITIES.
>>
>> Consequences became serious during this time of the track.
>>
>> So when a thetan was at 0.0 on the tone scale with a dead body at
>> his feet, his one and only unique, never going to be another one like
>> it again, he was in sad shape.
>>
>> I mean just think about your favorite dog or cat dying.
>>
>> So he had a PROBLEM AND A DISHARMONY on the tone scale.
>>
>> He eventually figured out all kinds of solutions to this problem,
>> most of which involved becoming the body itself and guiding it from
>> within, and losing sight of the distinction between the body and
>> himself to make himself more careful etc.
>>
>> THE ENTIRE SUB DEATH AREA OF THE TONE SCALE IS JUST ONE THING:
>>
>> TAKING CARE OF THE BODY AFTER HAVING DAMAGED A FEW TOO MANY.
>>
>> These sub death solutions make him feel REALLY GOOD, and he was
>> just sure that they would end the problem forever for him.
>>
>> But they were DOINGNESS solutions at a lower harmony on the tone
>> scale than death of the body. Thus the thetan entered into tone
>> levels BELOW 0.0 that were more harmonious at the time than what he
>> was experiencing at 0.0.
>>
>> At 0.0 he's sad about the loss of an irreplacable love.
>>
>> At -1.0 he's all happy and enthused about 'THAT will never happen
>> again!'.
>>
>> But man is he being CAREFUL.
>>
>> Run happy carefulness, and happy carefreeness.
>>
>> So SUB DEATH means that the thetan is living a solution to the
>> regretted death of prior bodies on the whole track.
>>
>> HIS WHOLE LIFE IS A LOWER TONE HARMONY SOLUTION to the higher
>> toned disharmony of body death.
>>
y slowing down his frequency the thetan has made himself feel
>> better by adding postulates of doingness on top of the insufferable
>> problem of BEINGNESS that he had with bodies dying on him.
>>
>> Notice that BEINGNESS IS NOT BEING. BEING is free from
>> BEINGNESS.
>>
>> BEINGNESS is BEING constrained by added considerations, like
>>
>> "I am a goofball bumblefuck who couldn't keep a body alive if my
>> own life depended on it!"
>>
>> But he's overjoyed at the chance to try, you see.
>>
>> His BEING might have solved the problem for him, but his
>> BEINGNESS that he assings to himself, sure as hell isn't, so he falls
>> to the lower harmony of 'going to DO something about it, by gum!'
>>
>> So now he comes back AS a body, he has fallen from HAVING bodies
>> to BEING bodies, and he gets born and he is all Rah!, he is going to
>> take care of this body, and punish those that don't take care of their
>> bodies, hang them out on crosses as examples to show people what
>> happens if you don't take care of your body, make a fortune selling
>> nails while he is at it and keep his body well to do, and he's going
>> to start and finance a whole war against non body care-ers, and Oh
>> the glory of it...!
>>
>> And he falls lower, and lower, and lower and lower.
>>
>> Lower means slower, eventually he becomes a rock.
>>
>> "Eventually all become marbles on the thetan plane..." - Adore.
>>
>> So notice anyone who is IN a body is sub death. They are
>> blaming, shaming, protecting, controlling, owning, punishing,
>> worshipping, sacrificing themselves to, hiding in, being, or taking
>> care of bodies.
>>
>> Imagine being responsible for the death of an ant.
>>
>> Now imagine being responsible for the death of a body.
>>
>> See the difference?
>>
>> 'Tis why you are in a body and not an ant.
>>
>> Eventually they can't even control a body any more, they can't BE
>> a body, so they become PARTS of bodies, they become OBJECTS, and
>> eventually they can't even do that and they fall down to can't hide,
>> and eventually spiritual death.
>>
>> "Do with me what you will, I deserve it, good bye dear body, I am
>> a total failure, sorry I let you down."
>>
>> So that is what sub death means.
>>
>> It is actually sub problem, falling down from a disharmony of
>> PROBLEM BEINGNESS to a lower harmony of SOLUTION DOINGNESS.
>>
>> He's feeling better for a while, but he's going slower.
>>
>> Find anything the person is doing, especially the things he has
>> great enthusiasm and steely eyed determination for, and find out the
>> higher disharmony beingness that the lower harmony doing is a solution
>> for.
>>
>> The person will exteriorize from his SOLUTION DOINGNESS and from
>> his PROBLEM BEINGNESS and regain his restorative BEING where all
>> problems dissolve naturally.
>>
>> E/P is astounding peace.
>>
>> Homer
>>
>> - ------------------------------------------------------------------------
>> Homer Wilson Smith The Paths of Lovers Art Matrix - Lightlink
>> (607) 277-0959 KC2ITF Cross Internet Access, Ithaca NY
>> homer@lightlink.com In the Line of Duty http://www.lightlink.com
>>
>> ======================= http://www.clearing.org ========================
>> Fri Feb 10 23:24:19 EST 2006
>> ftp://ftp.lightlink.com/pub/archive/homer/adore315.memo
>> Send mail to archive@lightlink.com saying help
>>
>>
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--
------------------------------------------------------------------------
Homer Wilson Smith The Paths of Lovers Art Matrix - Lightlink
(607) 277-0959 KC2ITF Cross Internet Access, Ithaca NY
homer@lightlink.com In the Line of Duty http://www.lightlink.com

Sat Feb 11 19:12:48 EST 2006

------------------------------------------------------------------------
Homer Wilson Smith Clean Air, Clear Water, Art Matrix - Lightlink
(607) 277-0959 A Green Earth, and Peace, Internet, Ithaca NY
homer@lightlink.com Is that too much to ask? http://www.lightlink.com

Tuesday, September 25, 2012

BASIC BASIC on EVIL INTENTIONS

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BASIC BASIC ON EVIL INTENTIONS

> Just to clarify, what is the purpose of:
>
> Going to sleep at night?
> Waking up n the morning?
> Making breakfast (and eating it)?
> Washing dishes before going to work?
> Going to work?
> Smiling when saying, "Good morning"?
> Cleaning a room?
> Tidying up a desk?
>
> These simple purposes have elements in common which give insight into
> more consistent and general purposes.
>
> Simple inspection or a moment's consideration of one's purpose in
> issuing a communication to another, or in receiving a communication
> from another, is an interesting little bit of observation.

The intrinsic purpose is pleasure and avoidance of pain, the
instrumental purpose is survival of manifestation forms on all 8 dynamics,
to which success pleasure and pain have been (perhaps arbitrarily)
attached.

The purpose of the choice to PLAY such a game, the higher purpose
of why the game exists in the first place, is a different matter.

Why would a being want a game of pleasure and pain?

Most humans would deny they would have created such world for
themselves or anyone else if they had been God.

In fact the underlying tone of most beings in bodies pretending
to have a good time at it, is the goal to make nothing of everything,
even their loved ones to put them out of their misery.

There is a hurry to this, to end the universe for all before he can no
longer do so, because the universe has ended him.

There is also a stickiness to the goal, because the being can not
leave the universe until he is sure it no longer exists, so he gets stuck
here to be the last thing standing, then he is free to do away with
himself.

Only after FAILING that goal to make nothing out of everything, does
the thetan/body composite try to take sides and take care of the few
things it loves that it can. To lessen their misery as much as possible
before the inevitable end that befalls all being born on death row.

But he hates the game with all the power of his being.

Thus to audit the being out of the deceit of his human condition, one
needs to audit that goal to make nothing of everything. This will begin to
resolve all of his somatics, horror at life, and case conditions.

Beauty and Ugly smashed together make boredom.

Spot NO Horror.
Spot SOME Horror.

Spot NO Gorgeousness.
Spot SOME Gorgeourness.

From the point of view of the thetan/body composite below death on the
tone scale, his Nemesis One is the guy who wants to make something out of
everything FOREVER (in time). Anything forever is a hell forever.

From the point of view of a higher toned thetan free from a body, his
Nemesis One is the guy who wants to make nothing out of everything, which
your thetan has then become.

Seperating your thetan from the valence of the guy who wants to make
nothing out of everything, then presents your thetan with the problem of
confronting the being who wants to make nothing out of everything.

Oh no anything but that.

Your thetan would rather work for him, than look at him.

Homer

- ------------------------------------------------------------------------
Homer Wilson Smith The Paths of Lovers Art Matrix - Lightlink
(607) 277-0959 KC2ITF Cross Internet Access, Ithaca NY
homer@lightlink.com In the Line of Duty http://www.lightlink.com
Tue Mar 29 14:16:59 EDT 2011

================ http://www.clearing.org ====================
Tue Sep 25 03:06:01 EDT 2012
ftp://ftp.lightlink.com/pub/archive/homer/adore859.memo
Send mail to archive@lightlink.com saying help
================== http://www.lightlink.com/theproof ===================
Learning implies Learning with Certainty or Learning without Certainty.
Learning across a Distance implies Learning by Being an Effect.
Learning by Being an Effect implies Learning without Certainty.
Therefore, Learning with Certainty implies Learning, but
not by Being an Effect, and not across a Distance.

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Monday, September 24, 2012

THE CATESTROPHICALLY DAMAGED

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THE CATESTROPHICALLY DAMAGED

What does the belief that you live only once do to a being?

It makes them explosively mad, but then they cap it hard keeping
it all inside themselves, where it rots them from the inside out,
and they put on a big smile to pretend to the rest of the world that
they aren't bothered by it.

And then they talk nothing but shit from there on out.

For that is all the facade of NO ANGER can say.

Homer

- ------------------------------------------------------------------------
Homer Wilson Smith Clean Air, Clear Water, Art Matrix - Lightlink
(607) 277-0959 A Green Earth, and Peace, Internet, Ithaca NY
homer@lightlink.com Is that too much to ask? http://www.lightlink.com
Tue Apr 3 23:38:39 EDT 2012

================ http://www.clearing.org ====================
Mon Sep 24 03:06:02 EDT 2012
ftp://ftp.lightlink.com/pub/archive/homer/adore896.memo
Send mail to archive@lightlink.com saying help
================== http://www.lightlink.com/theproof ===================
Learning implies Learning with Certainty or Learning without Certainty.
Learning across a Distance implies Learning by Being an Effect.
Learning by Being an Effect implies Learning without Certainty.
Therefore, Learning with Certainty implies Learning, but
not by Being an Effect, and not across a Distance.

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Sunday, September 23, 2012

FOR THE DALAI LAMA

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FOR THE DALAI LAMA

The material on the flash drives is a subset of the material at

http://www.lightlink.com/theproof

There are 3 entire expositions of The Proof.

The first is a highly formal technical writeup for heavy philosophy
and physics geeks.

The second is a write up I did for Arthur C Clarke before he died.

The third is a series of 'lectures' called the Valentine's Day
Lectures.

The third is the easiest to peruse and you might want to start
there.

The flash drive only holds the Valentine lectures, and the Clarke
letters.

The proof is about the nature of consciousness, in particular its
zero dimensionality or scalarness.

Although science tells us, presently, that the dream projected in
consciousness, that we call our physical universe, seems to have 11
space time dimensions, at least in the mathematical model, in truth the
consciousness which projects illusions of these dimensions has no
dimensions at all.

Mathematically that's called a scalar entity, as opposed to a multi
dimensional entity.

Consciousness is a scalar actuality, but projects virtual
multidimensional realities.

Source sources what Source is not.

Most people can not think with the idea that something with no
dimensions, could be a something rather than a nothing, but the proof is
new, and flies in the face of a lot of nonsense coming down the
religious and scientific whole track for the past billion years.

I think you will find the Valentine Lectures enjoyable, but watch
it, the material is dangerous, it can cause out of body experiences,
monster vibrations, and emotional outbursts, as a lot of confusion,
turmoil and lies come off the lines of our implanted educations.

"The outrageousness of the mechanics of learning, is matched only
by the outrageousness of what we have learned." - Adore.

It is one thing to consider the possibility that the world is a
dream, but with the proof, the probability that it is not a dream
becomes vanishingly small.

The proof doesn't prove the world is a dream, it proves something
else, but that something else is the archstone in the way of
understanding that the physical universe is a full blown co
hallucination in the mind of all beings, who are God in carnation.

All life is God in carnation in dream spacetime.

God is a Multi I-AM being. Each I-AM is a soul.

God and Soul are one thing with two different operating aspects,
Author and Character or Creator and Creature.

As you will see when you get deeper into the material, the Proof's
bottom line says that perfect certainty between two different objects is
impossible.

*THAT* is a very very big statement, not yet recognized as such in
the scientific or religious worlds.

Since space and time interposed between two objects in the physical
universe makes them two different objects, no certainty is possible in
the physical universe, and in fact everything in the physical universe,
including its own existence, remains a theory.

Consciousness is the actuality, spacetime is a virtual reality,
like an arcade game, a holodeck projecting a self created hologram.

Consciousness is the self aware holodeck, the physical universe is
the image in the holodeck.

However the self luminousness of consciousness allows us to be
perfectly certain of ourselves, our own existence and agency, and the
existence of the color forms that we perceive, and thus there can be no
space or time between any part of consciousness and anything that it can
be perfectly certain of, namely perceive.

In other words consciousness, and anything that consciousness can
perceive, with perfect certainty must exist in a self contained zero
dimensional scalar entity called the conscious unit or soul.

If we see a little green martian on the street, we may not know if
there is an 'objective' green martian out in the alleged physical
universe, it could be a hallucination, BUT WE ARE CERTAIN WE SEE THE
LITTLE GREEN MARTIAN.

The hallucination is not a hallucination!

Interpretation of perceptions may be only theory, but the
perception itself is a direct perfect certainty.

That little fact is overlooked by the 'you are a brain' crowd.

To wit, consciousness is not a space time machine like the brain.

Consciousness is thus not MERELY a process in the brain, and if the
physical universe is a dream time hallucination, the entire meaning,
nature of, and existence of the brain comes into question and needs to be
reworked from the bottom up.

What good is a dream brain to a dreamer dreaming he has a brain?

If consciousness had dimensionality, and those colors you see
around you were actually out there, where they look like they are, you
wouldn't be able to see anything.

That's because the only way to see anything that is OUT THERE, is
to look at something else which is NOT out there.

This is the effort to see the cause out there by looking at the
effect it has in your self which is not out there but is in here.

Without that effect in yourself there is no knowing about the cause
out there at all. But if there is an effect, seeing the effect in
yourself isn't seeing something out there either, its seeing something
in here (in your consciousness) which REPRESENTS something out there.

When things are out there, the represented out there is never seen,
only the representation in here is seen, in your consciousness.

The existence of the represented out there is a theory based on the
evidence of the representation seen in here, in your consciousness.

Ultimately the only way to see anything, is to see some thing that
is not OUT THERE relative to you, but which thing is the last in the
chain of "looking at something else", that represents something out
there.

Out there is never seen, only representations in here of out there
are seen, namely our conscious experiences of out there.

We claim that our conscious experiences are OF out there, but they
aren't, they are conscious experiences of THEMSELVES, which we then
pretend represent things out there which we can not see at all.

And thus the dreamer pretends it is not dreaming.

If we see a piano in our consciousness, there must BE an objective
piano out there in the physical universe that exists whether we see it
or not.

Nope, the piano is a hallucination, actual as a dream experience,
and it plays perfectly well, but it has no other or further existence,
even if we pretend there is.

More important is the issue of the relation between God and Soul.

Since two different objects can never know about each other with
perfect certainty, if God and Soul are two different objects, they will
never be able to know about each other except as a theory.

Better to just understand that God and Soul are two sides of the
same coin, the GodSoul, and that the Soul side is the God side in
carnation in dreams of space time and mechanics.

The being, living dreams of mortality, is escaping nightmares of
immortality (stuck in time forever), which resulted from (intentionally)
missing the nature of Eternality or peace forever, above space and time.

Forever has two meanings.

Forever in time which is Immortality and always ends up in hell
forever.

Forever above time, which is Eternality which can only be peace
forever.

Eternality likes to create Immortalities for a while, which then
decay into hells followed by the pretense of Mortality.

Eventually the being wakes up to native state again and recognizes
he is the scalar universe projecting dreams of spacetime universes for
his own enjoyment.

This results in the fair chosen dance of the Imp Soul, me and thee.

That dance can get pretty bad in the interim.

Since consciousness is scalar, it HAS no dimensions of space or
time, and thus can not be created or destroyed.

Once is, always is.

If is, always was, and always will be (outside of time), because
there is no time for it to come and go in.

Consciousness is like a timeless TV set showing dreams of space and
time and ludicrous demise.

Things can come and go in the shows, but the TV stands forever
outside of time and change.

"The Key to the Golden Temper.

Tragedy and Travesty,
Romance and Sin,
Miracles and Majesty,
That's where I've been.

Miracles in Majesty,
Romance and Song,
Tragedy and Travesty,
That's where I've gone.

The fact I'm still here,
Is PROOF don't you see,
In the Omni Long Run,
It's better to Be.

Halcyon (Hal-cy-on) and Thrill,
High Cool and Romance,
Class and Free Fancy,
Power the dance.

Pride is our willingness,
Our willingness to Be,
I Adore me forever,
Forever for Free."

From Adore, A Divine Operating REligion.

Homer

- ------------------------------------------------------------------------
Homer Wilson Smith The Paths of Lovers Art Matrix - Lightlink
(607) 277-0959 KC2ITF Cross Internet Access, Ithaca NY
homer@lightlink.com In the Line of Duty http://www.lightlink.com
Fri Jul 22 15:03:58 EDT 2011

================ http://www.clearing.org ====================
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Send mail to archive@lightlink.com saying help
================== http://www.lightlink.com/theproof ===================
Learning implies Learning with Certainty or Learning without Certainty.
Learning across a Distance implies Learning by Being an Effect.
Learning by Being an Effect implies Learning without Certainty.
Therefore, Learning with Certainty implies Learning, but
not by Being an Effect, and not across a Distance.

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Friday, September 21, 2012

THE COLOR OF AGENCY

03/07/07 Wednesday 02:21am EST

THE COLOR OF AGENCY

Agency is being and knowing you are cause.

Agency is living cause.

It is not like electricity or a spark that you can feel, that's the
force of dead cause.

Living cause is caring, warm, sentient, intelligent, curious,
interested, friendly, and it wants to have fun, oh does it want to have
fun.

Agency wants to PLAY with you.

Agency is spirit of play.

Agency knows it wants, and wants to know.

Agency *LOVES* you with a crystal beauty that can never be
destroyed.

Agency is what loves, and cries, for all sorrow is but love lost.

Agency gives a damn and will do the damnedest things to that end.

Agency is awareness, and awareness of awareness.

Agency is seeing and seeing seeing.

Agency is creating a humongous space so you can be agent too.

Agency's goals are to be agent, and to have you be agent too.

Casting agency and being cast as agent.

Me putting you there, and me putting you there putting me there.

That is all Agency can do.

Agency is you looking out and looking at yourself looking out.

Agency is the great I AM, the greater WE ARE, and the greatest HIGH
US.

Agency likes to sleep and dream of not being agent. It feels so
good to wake up to the truth.

Agency is all there is, all that has ever been, and all that will
ever be.

Agency is a miracle.

Agency is the best of all possible worlds.

Agency is all you could ever want and all you could ever be.

Agency is beyond your wildest dreams.

Agency is the undreamed dream come true.

Agency is adoration in operation.

Agency is humor on a roll.

Agency is romance and thrill.

Agency is majesty and class, and pride and peace.

Agency is magnificence and respect and sovereignty without end.

Agency is majestic living intelligence and grand and Excalibur
design.

Agency is cool.

Agency is Omni Awesome and Omni Boss'ome.

Agency is worth being, knowing, doing and having.

Agency is worth while.

The color of agency is clear harmony, accord and co communication.

Agency is intent to beneficence, for who now is the source there
of?

Agency lives on the high road, but will take the low road just to
see.

Agency is home.

Agency is the sword of the King.

Agency is God and the Devil in a swirl of Demons and Angels.

Agency is the wind beneath your wings.

Agency is the wind and your wings flying forever for free.

Homer

------------------------------------------------------------------------
Homer Wilson Smith The Paths of Lovers Art Matrix - Lightlink
(607) 277-0959 KC2ITF Cross Internet Access, Ithaca NY
homer@lightlink.com In the Line of Duty http://www.lightlink.com

Wed Mar 7 02:28:17 EST 2007

YOU ARE A REAL PERSON!

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YOU ARE A REAL PERSON!

I had another dream last night after a long day's auditing of
'What in present time are you (prep check button) mostly making
nothing of?'

People are walking around in a TREMENDOUS condition of
'NO PTSness', and NO SP, mostly SP super clusters.

Running Union Station today on "spot a person, spot their 'NO
PTS, NO SP, NO cluster' considerations", was interesting.

Anyhow I have described in my past postings the various levels of
obnoxious entities that manifest in my dreams, and the various NOTS
commands I have used to either make them behave, puddle them, or blow
them into fairy dust.

I have also described how there is still a layer of obnoxious
entities that do not respond at all to anything I have done before, to
a point where they will mock me by giving ME the commands themselves,
all the while cackling at my foolishness for thinking I can handle
them.

So last night there I was in some place or another and there was
a gang of thugs all approaching me and jumping on me, and trying to
beat me up.

I threw everything I had at them, "You are a BT!, Who are you,
who am I, what are you, what am I, How many are you, How many am I,
How can I serve you, How can you serve me? I am bought by the blood
of Jesus, leave me alone!" etc., to absolutely no avail.

Its like taking on 10 guys in a sword fight and you KNOW you are
going to lose this one.

Then suddenly out of the blue I start yelling at them "You are a
real person, you are all real people!"

Everyone of them stopped in their tracks, looked at me like this
was a new thought, and proceeded to behave themselves shortly
thereafter.

I have been using "You are a BT!" as the opening accusative for a
long time because it works like a charm on 96 percent of the
miscreants in my dreams with no further need to unmock them with who,
what and how many. I am not trying to destroy them, just want them to
behave and leave me alone.

But now I am going to use 'You are a person, you are real people,
you are a real being, you are a conscious unit." etc.

Major step forward.

Homer

Sun Aug 19 00:15:36 EDT 2007

================ http://www.clearing.org ====================
Wed Sep 19 03:06:02 EDT 2012
ftp://ftp.lightlink.com/pub/archive/homer/adore545.memo
Send mail to archive@lightlink.com saying help
================== http://www.lightlink.com/theproof ===================
Learning implies Learning with Certainty or Learning without Certainty.
Learning across a Distance implies Learning by Being an Effect.
Learning by Being an Effect implies Learning without Certainty.
Therefore, Learning with Certainty implies Learning, but
not by Being an Effect, and not across a Distance.

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FREE FEELING AND DEPENDENT FEELING

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FREE FEELING AND DEPENDENT FEELING.

In alt.clearing.technology Richard Ford <doorman.ford@googlemail.com> wrote:
>The reason this 'process' is so bizarre is that it misses the point of
>humor completely. This is laughter without humor. Laughter as
>drudgery. Laughter on command.

An OT can feel independent of surrounding circumstances.

Laughter is just another color in his palette, so the ability to
feel any emotion without reason is a sign of sanity.

Needing to have something ELSE be true before you can feel some way
or something is a sign of dependency to how things are.

Humor is release from sorrow, so the ability to feel both sorrow
and humor freely is paramount to being and OT.

The OT Power Protocol process makes this very clear.

Run repetitively to E/P:

1.) What power or ability would you like to have?
2.) What would you do with it?
3.) What would be the consequences of that?
4.) FEEL how you would feel if those consequences were true.

1.) What power or ability would you not like to have?
2.) What would you not do with it?
3.) What would be the consequences of that?
4.) FEEL how you would feel if those consequences were true.

The most critical line to do well is 4.) because it recovers for
the being the ability to feel how he would feel IF he had the ability
BEFORE he has the ability. That then leads to the ability to have the
ability.

Homer

- --
- ------------------------------------------------------------------------
Homer Wilson Smith The Paths of Lovers Art Matrix - Lightlink
(607) 277-0959 KC2ITF Cross Internet Access, Ithaca NY
homer@lightlink.com In the Line of Duty http://www.lightlink.com
Sat Jan 23 21:41:33 EST 2010

================ http://www.clearing.org ====================
Tue Sep 18 03:06:01 EDT 2012
ftp://ftp.lightlink.com/pub/archive/homer/adore699.memo
Send mail to archive@lightlink.com saying help
================== http://www.lightlink.com/theproof ===================
Learning implies Learning with Certainty or Learning without Certainty.
Learning across a Distance implies Learning by Being an Effect.
Learning by Being an Effect implies Learning without Certainty.
Therefore, Learning with Certainty implies Learning, but
not by Being an Effect, and not across a Distance.

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Wednesday, September 19, 2012

DWINDLING SPIRAL

DWINDLING SPIRAL

Muldoon (brian9511@dslextreme.com) wrote:
>Add to the above the belief in Hubbard's A) "dwindling spiral,"

The dwindling spiral is self evident, 'eventually all become
marbles on the thetan plane' - Adore

The spiral is caused by the hypocrisy whirlpool, namely overts
against enemies, then regret followed by becoming the enemy and further
overts against your original group, back and forth, around and around,
lifetime after lifetime.

Jew -> Muslim -> Christian -> Nazi -> Sweet Old Lady -> Jew etc.

"The Hypocrisy Whirlpool is powered by Love and High Regret between
High Friends.

If the Jews keep it up they gonna become Christians.

If the Christians keep it up they gonna become Nazi's.

If the Nazi's keep it up, they gonna become Sweet Old Ladies.

And if they are sweet enough for long enough, they gonna become
Jews again.

Eventually ALL become marbles on the thetan plane.

How do you know a Jew that was once a Nazi?

Show them these words, they will scream crosses of flames.

You can always tell a sweet old lady who was a past life Nazi.

They petty-fog, petty-whimper, petty-tone and petty-posh you
death.

Their intention is suffocation of interest.

The result is suffocating panic about suffocating panic.

Serves you right." - Adore

Every ded justified by a dedex adds to the dwindling spiral.

Every motivator used to justify a later or earlier overt act adds
to the dwindling spiral.

Eventually people become 'no dwindling spiral cases'.

"Medusa is the Devil's Harem.

The Christians like to tell you about all the fire and brimstone in
hell. The fail to tell you about all the Medusa's that run around
chasing everyone until they are rendered stone.

Fire and Brimstone.

Fitting grave for a Nazi, eh?

Flaming marble with a flaming cross.

Forever for free." - Adore

and B)
>Xenu and "Incident 1" and "Incident 2",

Neither Xenu, incident 1 or incident 2 are real to me, however
clustering of beings is very real to me as are the existence of carnate
and discarnate beings.

The more real I consider them, the more real they become.

Surely Hubbard's descriptions of time place form and event of OT
III and other cosmic history can be held in question.

etc., then toss in C) the Fair
>Game and SP "tech," D) inflated ego and petty anger, E) and use of
>derisive terms such as "wogs," and, well - one can get an idea of the
>infection that Hubbard has loosed upon the Earth.

Your derisiveness is without match.

Hitler should have been fair gamed early on and except for the
cowardice of many who failed to kamikazee his sorry ass into next
tuesday, much of the whole holocaust might never have happened.

Inflated ego's are a problem, but the attackers are the meatballs
not the dreamballs. I have had more meatballs tell me I belong in a
straight jacket. After a while I return in kind, "kick into abyss and
cover with tar and spaghetti sauce."

>Then compare the above with the best in Scientology and Dianetics from
>the 1950s and the early 1960s.

Early Scientology was all about entities.

Homer

Fri Dec 30 15:28:17 EST 2005

------------------------------------------------------------------------
Homer Wilson Smith Clean Air, Clear Water, Art Matrix - Lightlink
(607) 277-0959 A Green Earth, and Peace, Internet, Ithaca NY
homer@lightlink.com Is that too much to ask? http://www.lightlink.com

Sunday, September 16, 2012

OUT THERENESS IS AN ILLUSION

OUT THERENESS IS AN ILLUSION

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Rogers. D.Scn. (The_Bindu@NOSPAMmsn.com) wrote:
><homer@lightlink.com> wrote in message

>> The out there-ness is an illusion.

>It's not as though I can't get the concept you're presenting here, Homer,
>it's just I don't understand why anybody would insist on contemplating
>considerations that collapse space?

The collapsing space means they are true.

It puts responsibility for the creation of the illusion of space
back in the pc's hands. If he isnt' up to that, he collapses as you
say. Very hard.

But we are creating OT's here, not noodle-oos, if an OT wants to
be exterior will full perception, he had better be able to put space
"out there", all of it and put it on automatic so it doesn't cave in
on him until he wants to exteriorize from space/time totally.

>Anybody who has a "case" is not going to be helped by collapsing space.
>(Hmmm, that rhymes.)

>One can't even have a key-out if one has no space.

>In fact, "no-space" is perhaps the common denominator of all types of
>"resistive case."

Right.

*ENFORCED* no space is the common denominator of all types of
resistive case.

*ENFORCED BASIC TRUTH* is the common denominator of all
aberration.

Thus enforced no space is enforced basic truth, thus basic truth
is NO SPACE.

Even when he thinks he has space, he STILL doesn't actually have
space. He has instead something that LOOKS like space but which
itself does not take up any space. So space was never actual.
Considering space actual creates an alter-is of its true nature, which
then causes its persistence.

The being was making dream space just fine as illusion, became
convinced of its actuality on his own choice, resented the lie, began
to protest and withdraw from it, and eventually became a dot as Alan
calls them.

The being knows he can make dream space and is happy doing so.

He knows very well NOTHING could make actual space.

Once he believes space is actual, he fractures his connection
with having made it as dream space.

Then he has an ARCX of magnitude which can not be fixed, because
something he couldn't have created can't be destroyed by him either.
So he becomes owned by it, created by it, made out of it, and
eventually a meatball.

Once he realizes he is dreaming, he remembers that space is a
dreamtime illusion that itself doesn't take up any space, and thus he
can make it again, and MUST make it in order to not cave in, and he
starts to take over the automaticities he put up to keep space going
on 'its own', and pretty soon he's OT exterior will full perception.

Homer

>Les.



- --
- ------------------------------------------------------------------------
Homer Wilson Smith The Paths of Lovers Art Matrix - Lightlink
(607) 277-0959 KC2ITF Cross Internet Access, Ithaca NY
homer@lightlink.com In the Line of Duty http://www.lightlink.com

================ http://www.clearing.org ====================
Sun Sep 16 03:06:03 EDT 2012
ftp://ftp.lightlink.com/pub/archive/homer/adore274.memo
Send mail to archive@lightlink.com saying help
================== http://www.lightlink.com/theproof ===================
Learning implies Learning with Certainty or Learning without Certainty.
Learning across a Distance implies Learning by Being an Effect.
Learning by Being an Effect implies Learning without Certainty.
Therefore, Learning with Certainty implies Learning, but
not by Being an Effect, and not across a Distance.

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Saturday, September 15, 2012

STATIC AND SPACETIME

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STATIC AND SPACETIME

What exists is the STATIC and the illusions it creates WITHIN ITS
OWN SELF, its own fabric, its own substrate.

The static is like a Liquid Crystal Display screen that can
either be clear or colored. Nothing is created when it turns colored,
the same LCD screen is still there, but a small part of it has been
polarized to produce colored rather than clear.

The static can not create spacetime, it can only create within
itself the CONSCIOUS EXPERIENCE OF SPACETIME, which itself does not
take up any spacetime. The experience of spacetime exists in the
fabric of the static, which experience takes up no spacetime.

Static colored to look like spacetime is still just static. It
has no spacetime!

Mockups of space do not take up any space!

Mockups of time do not take up any time!

Dig it and don't leave it.

The conscious experience of spacetime results from a polarization
of the fabric of the static from a no consciousness-of anything, to a
consciousness-of spacetime.

SPACETIME HAS NOT BEEN CREATED, THE STATIC HAS BEEN POLARIZED
WITHIN ITSELF FROM SLEEP TO DREAMING, from clear to colored, from non
consciousness-of, to consciousness-of.

Sleepers call dreamtime the 'waking state'.

In truth, the most awake you could be is the Big Snooze, no
dreams at all.

This is really really important. If you don't get it, you won't
ever win or go OT.

The static NEVER creates anything at all except patterns in
itself, it merely changes the fabric of ITSELF to bring about the
conscious experience of "creations".

When static creates a conscious experience of brick and a
conscious experience of wood, they may LOOK like they are made of
different materials, but in fact they are both made of the same stuff,
colored self luminous static.

MEST IS MERELY STATIC COLORED TO LOOK LIKE SPACE AND TIME.

No actual space or time was ever made.

When you look at MEST you are looking at static which has been
color painted to look like MEST!

MEST is the static glowing in the void.

Native state is the static turned off for the night, the Big
Snooze.

Homer

- ------------------------------------------------------------------------
Homer Wilson Smith The Paths of Lovers Art Matrix - Lightlink
(607) 277-0959 KC2ITF Cross Internet Access, Ithaca NY
homer@lightlink.com In the Line of Duty http://www.lightlink.com

================ http://www.clearing.org ====================
Sat Sep 15 03:06:03 EDT 2012
ftp://ftp.lightlink.com/pub/archive/homer/adore271.memo
Send mail to archive@lightlink.com saying help
================== http://www.lightlink.com/theproof ===================
Learning implies Learning with Certainty or Learning without Certainty.
Learning across a Distance implies Learning by Being an Effect.
Learning by Being an Effect implies Learning without Certainty.
Therefore, Learning with Certainty implies Learning, but
not by Being an Effect, and not across a Distance.

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Friday, September 14, 2012

STATIC = SCALAR

STATIC = SCALAR

Hubbard said that native state was a static, which was cause over
all kinetics.

A static has no space or time, no mass, energy, or wavelength.

What a static doesn't have is DIMENSION AND EXTENSION.

So of course it has no space, time, mass or energy.

*IT HAS NO DIMENSION IN WHICH TO HAVE DIMENSIONAL THINGS!*

However in apparency this static is interfaced with the kinetic
world of space time matter and energy.

A static has no dimensions. No, it does not have infinite
dimensions, it has ZERO dimensions. Mathematically that's called a
scalar.

The kinetic world pretends to have most obviously 3 space
dimensions and 1 time dimension, but if present string theory is true
then total dimensions being projected are 11 in number.

Now the question is:

1.) Is the static actual or virtual?

2.) Is the conscious unit actual or virtual?

3.) Is the kinetic physical universe actual or virtual?

If the kinetic universe were actual, how would you know?

Is it possible to causally interface a static zero dimensional
actuality with a kinetic multi dimensional actuality so that cause flows
between them both ways?

Probably not, although the conscious unit, which is that interface,
is trying to pretend very hard that it is. But mostly it is pretending
that the static doesn't exist at all, and that the conscious unit is
MADE of the kinetic.

The symbol -> means gives rise to.

TRUTH IS: Static -> Conscious Unit -> Kinetic

PRETENSE IS: Kinetic -> Conscious Unit.

The issue comes down to, can a static zero dimensional entity none
the less create illusions of dimension and space time within its own
zero dimensional substrate?

Or does the fact that we SEE space in our conscious picture mean
that there IS space in actuality?

Is there a difference between actual space and illusions of space
painted in consciousness?

The idea that a zero dimensional actuality could project virtual
multi dimensional realities escapes most people, and thus they take
virtual reality for actuality. They are below 26.0 "Apparencies are
actuality," on the tone scale.

Worse they think their conscious unit is MADE OF THE PARTS AND
PARTICLES BEING PAINTED ON THEIR CONSCIOUS SCREEN. That's like a video
display thinking it is made of the things displayed on its screen. If
you mess with the things on the display, the video display thinks it
will turn off forever!

The video display screen in this case is scalar consciousness, and
what is being displayed is *ILLUSORY* virtual dimensional realities.

Then there is the subject of cause. Why do two electrons repel
each other? Well there's a force between them, right? Bull.

The real question is what pushes time forward, does 'force' create
time by creating motion, or does time moving forward allow force to
usurp the illusion of cause to itself?

Is there any such thing as actual force? Or is force a projected
anthropomorphization onto electrons of our own conscious experience of
effort and being pushed?

If time didn't move forward, force could do nothing. So what now
is cause, time or force?

Hubbard said that the static was cause, that there IS NO CAUSE
amongst kinetics. Thus two electrons repel each other not because there
is cause between them (force), but because the static is creating both
electrons AND time to move forward so that it LOOKS like there is force
and cause between them.

You see, static is cause, kinetics is effect.

Even if the kinetic world were more than a graphic rendering in the
lighted screen of scalar consciousness, there would still be no cause
out there in all those moving ball bearings. Their position and
existence would be being created in every instant by the static creating
space and time and moving it forward like a cartoon.

But in fact a static can't create an actual space time with
kinetics in them. If there ain't any dimensional to actuality, there is
no dimension in which to stick a created dimensional space time after
the fact of what exists primordially.

But one can graphically render PICTURES of dimension on one's own
non dimensional substrate.

It's cool to think your consciousness is made out of multi
dimensional incipient carrion, but that doesn't make it true.

The conscious unit is the ambassador of the static, it has two
sides, one in each world. The conscious part is the static side, and
cause flows from the static through the conscious port into the world of
kinetics. Observation creates existence.

The kinetic side is all the pretty color forms that thusly get
created and dance around, called real life, that are viewable in the
conscious screen.

The conscious unit CONNECTS the STATIC TO THE KINETIC. It is the
portal gateway for cause. That is what will is.

Source sources when will casts.

What is actual is source/static and the conscious unit, and the
apparency of dimensionality rendered on the conscious unit's zero
dimensional perception screen.

What is virtual reality is everything going on in that apparent
dimensionality.

One step down from "Hey I am a conscious unit!" is "Hey I am a
meatball!"

Anyone listening?

Homer

------------------------------------------------------------------------
Homer Wilson Smith The Paths of Lovers Art Matrix - Lightlink
(607) 277-0959 KC2ITF Cross Internet Access, Ithaca NY
homer@lightlink.com In the Line of Duty http://www.lightlink.com

Mon Jul 17 23:01:23 EDT 2006

------------------------------------------------------------------------
Homer Wilson Smith Clean Air, Clear Water, Art Matrix - Lightlink
(607) 277-0959 A Green Earth, and Peace, Internet, Ithaca NY
homer@lightlink.com Is that too much to ask? http://www.lightlink.com